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Sons of Perdition (film) : ウィキペディア英語版 | Sons of Perdition (film)
''Sons of Perdition'' is a 2010 documentary film featuring a behind-the-scenes look into the lives of teenagers exiled from their families and community by Warren Jeffs, self-proclaimed prophet of the Fundamentalist Church of Jesus Christ of Latter Day Saints (FLDS Church). ''Sons of Perdition'' premiered at the Tribeca Film Festival in New York on April 24, 2010, having sold out at the box office within one hour from the time tickets went on sale. == Background ==
"Sons of perdition" is a term used by some Latter Day Saint denominations, including the FLDS Church, to describe former members who have apostatized from their religion and faith. The term is derogatory and intended to convey unholiness, sin and evil. Within the FLDS Church in the border towns of Colorado City, Arizona, and Hildale, Utah, under the severe rule of prophet Warren Jeffs, hundreds of teenage boys were exiled from their homes and families among the FLDS faithful for infractions such as wearing short-sleeved shirts, listening to music or talking to girls. Whether forced out by church leadership or a deliberate choice to escape the harsh environment, the exiled teenage boys were shunned by their families and community. As a result of their limited education and lifelong insulation from the world apart from their polygamous community, these "Lost Boys" were ill-equipped to manage life on the outside of the church . Many of the youngsters turned to drugs or alcohol to cope with the traumatic separation; others found themselves in trouble with the law.〔 Directors Tyler Measom and Jennilynn Merten followed these ''Lost Boys'' for four years to bring to the film the personal perspective of the exiled boys. As described by one film reviewer:
''Sons of Perdition's concentration on Joe, Bruce, and Sam—and, to a lesser extent, their exiled compatriots—is a shrewd one, allowing for a focused examination of the toll wrought by such an upbringing on teens undergoing the process of self-definition. Less a definitive historical account of American polygamy than a study of a very particular strain of post-traumatic stress disorder, Measom and Merten's doc is cautiously inspiring in its snapshot of independence blossoming amidst oppression, heartbreaking in its empathetic portrayal of lost young men permanently scarred by their elders, and infuriating in its clear-sighted depiction of the criminal and emotional horrors perpetrated in the service of religious psychosis.''〔 Measom and Merten found the subject matter appealing in part because of their own experience of having abandoned the Mormon faith they grew up in.〔
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